Showing posts with label Mountainsmith Day. Show all posts
Showing posts with label Mountainsmith Day. Show all posts

06 November 2008

Mountainsmith Amp : A Phone Holster For People On The Run

Web: www.thetravelstrategist.com -- E-Mail: fish@flyingwithfish.com

6/11/2008 – Mountainsmith Amp : A Phone Holster For People On The Run

For years I had a habit of dropping, cracking and breaking phones that were on holsters on my belt. I prefer my phone be on my belt, however my camera would bang into the phone, my waist pack would open a holster flap, or the holster's Velcro was not sufficient enough to keep a phone in the case.

A little over a year ago while standing in the Kittery Trading Post, in Kittery, Maine, I found a the durable, reliable and versatile phone holster I have been searching for. This holster was the black Mountainsmith Amp, made from recycled materials. It is no secret that I like Mountainsmith's bags and packs, so when I found a mobile phone holster made by Mountainsmith I had to have one.

What separates this mobile phone holster from others is a few things
1: The Amp can be worn vertically or horizontally on your belt (I wear it horizontally)
2: The Amp has durable-&-stretchable neoprene size to allow it to fit many phones snuggly
3: The Amp has a lot of Velcro, which makes it very difficult to knock open
4: The Amp's stretchy neoprene keeps its shape, so should you knock it open you won't lose your phone.

My Amp was primarily used with a Motorola Razr V3, until I switched to the primarily using the Apple iPhone. While the Amp may appear to be too small for the iPhone, it fits it perfectly. When I travel internationally I switch back to the Razr to use local pre-paid SIM cards, and the Amp holds its shape to switch between the more slender Razr and wider iPhone. Most holsters would be to wide or two narrow to accommodate both phones, while Amp is ideal for both.

Having used the Amp in some very fast paced situations, where my phone holster is constantly being brushed, pushed and banged by a waist pack, belt-pouches or my camera gear, I have never had my phone drop out of the Amp.

The fact that the Amp is manufactured with recycled materials is just an added bonus. I strongly support recycling, the purchasing of carbon offsets when traveling and supporting those who choose to help the environment. So the Amp follows other items Mountainsmith manufactures using recycled products, such as the Tour and Day packs.

...........Mountainsmith may be discontinuing the Amp at the end of this season, so priced at only around US$10 each, you may want to snap them up now while you still can (I plan on stock piling half-a-dozen).

Below are five photos of my phones with the Mountainsmith Amp

Happy Flying!
--Click Images To Enlarge--




28 October 2008

The Manfrotto 3373 : The Perfect Traveling Light Stand

Web: www.fishfotoworldwide.com -- E-Mail: fish@flyingwithfish.com

28/10/2008 - The Manfrotto 3373 : The Perfect Traveling Light Stand

Traveling with lighting equipment can be challenging. While it is easy to swap out large studio lights for small strobes and there are many lighting accessories for small strobes, there is still the need to travel with light stands. Light stands tend to be long and difficult to pack, with very few options available to be transported as carry-on baggage.

For the past four years I have happily carried my light stands on-board flights with me. My light stands are sometimes in the bag I am using, and more often than not attached to the outside of the backpack I am wearing. These rugged, compact-yet-full-sized, light stands are the Manfrotto 3373.

What makes the Manfrotto 3373 light stand ideal for the traveling photographer? For starters the 5-section light stand folds down to a compact 19.3", yet extends up to a maximum high of 6ft 2". At a lightweight of 2lbs the light stand can comfortably hold 4lbs. Working in right spaces with compact lights is easy with the 3373 having a maximum footprint of 3ft 3".

Each of my lighting kits has it's own set of Manfrotto 3373 light stands. I keep three in my LowePro Pro Roller II case that contains two Lumedyne heads, a Nikon SB-28dx, power pack, two batteries, set of Pocket Wizards, cables, soft-boxes, grids, etc etc. This full-size studio kit fits in a single checked bag that weighs a mere 48lbs. For the rest of my lighting needs, I keep an additional three Manfrotto 3373 light stands.

The three Manfrotto 3373 light stands that are not packed with my Lumedyne kit are used in a variety of set ups depending on my needs. The compact size of these light stands allows me to insert them in the outside pocket of most backpacks and secure them using the backpack's compression straps. While I frequently travel with a single light stand for many shoots, the design and size of the Manfrotto 3373 allows me to easily stack two together and travel with me inserted in a backpack's external pocket, secured by the bag's compression straps.

I have frequently stocked an entire mobile studio kit inside the compact Mountainsmith Parallax backpack, thrown two light stands on the outside of the bag and hopped on a flight. Earlier this year in 3.5 days I flew through 5 countries (shooting in 4 of them) on three continents, crossing the Atlantic and Pacific Oceans, with a Manfrotto 3373 attached to the outside of my North Face Surge backpack. Quick shoot down in Philadelphia? Pack up a Mountainsmith Day pack and attach the light stands to the securing straps to the bottom of the bag, or in the side pocket and use a carabineer to secure the stands to the shoulder strap.

Fearful of the lightweight light stand tipping over with some wind while shooting outside? There is a simple solution, I often stop by a shop such as Home Depot and pick up a few US$2.00 cinder blocks to toss on the legs when using full-size lights. When using small strobes, such as the Nikon SB-28dx Speedlights I simply place my bag on one of the legs to weigh it down.

As for flying with the Manfrotto 3373, the ultra compact size of the light stands draws virtually no attention to its self. As the light stand is smaller then international carry on restrictions, airport security almost never questions the light stand being attached to the exterior of the bag. The light stand attached to my bag has only once been questions by an airline........and that was a United Airlines flight attendant whose hobby was photography. She wanted to know what light stand I had attached to my bag.

The more I travel, the more I shoot environmental portraits on the road, the more I grow fond of the Manfrotto 3373.

Below are a few photos of the Manfrotto 3373 at work and packed as carry-on for work.
Photo #1 : 3373 set up with a Photoflex Q39 softbox for a corporate shoot
Photo #2 : Two 3373s attached to the outside of my Mountainsmith Parallax
Photo #3 : A single 3373 attached to my North Face Surge backpack
Photo #4 : A single 3373 light stands attached to my Mountainsmith Day pack.
Photo #5 : A single 3373 lashed to the bottom of my Mountainsmith Tour.
Photo #6 : Two 3373s set up in a tight space on a location shoot


Happy Flying!
--Click Images Below To Enlarge--





23 September 2008

Simple Baggage Solutions : Make Your Own Modular System

Web: www.fishfoto.com -- E-Mail: fish@flyingwithfish.com

24/09/2008 – Simple Baggage Solutions : Make Your Own Modular System

There are dozens of modular bag systems on the market today that are used by photographers. These bags are for general packing solutions, photography specific solutions and a hybrid of both. As I have been trying to reduce the gear I travel with for 'general shooting' situations I had started to investigate a variety of bags possibilities for more than a dozen manufacturers.

While researching a variety of bags one night I started staring at a set of bags I have used, trusted, loved and preached about often on Flying With Fish, and almost everywhere else I discuss bags. These bags as you frequent readers may have already guessed are my Mountainsmith bags.

To make a simple carry on + roll-aboard that could carry everything I'd need for a 'simple kit,' I turned to the Mountainsmith Correspondent roll-aboard bag, The Day and The Tour. These three bags can be easily combined into two bags for short trips, around the corner or around The World.

When initially setting up this configuration I removed the top 'cube' from inside the Mountainsmith Correspondent and sized up the Mountainsmith Tour to see if it would easily fit inside. Once I determined that the Tour would fit into the open slot, normally filled by a 'cube,' I was off and running.

For my needs, this how I packed for travel:

-The Day : 4 magazines (Photo District News, Airliner World, National Geographic, The Economist); sleeve of 10 DVDs, Newswear pouch with my Sony PSP Survival Kit (swapping the Skullcandy headsets for the Sony MDR-NC22 headsets), Vector 100watt emPower inverter; 15" MacPowerBook, PowerBook AC power supply;

- The Tour: Domke 4-slot insert (the original non-padded chocolate brown insert, how many of you remember when the bags were only brown?); PSP power supply; Garmin GPS; GPS accessories; Think Tank Cable Management 10 pouch (for all my random photo & computer accessories, mobile phone chargers, CF card reader, thumb-drive, etc, etc), Energizer rapid "AA" battery charger

- The Correspondent
(In The 'Cube') : Canon 5D w/BG-E4 grip; Canon 20D w/BG-E2 grip; Canon 16-35f2.8L; Canon 70-200f2.8L; Canon 24f1.4L; Canon 50f1.4; Canon EF-12II extension tube; Canon 580ex; Think Tank PeeWee Pocket Rocket (CF Card Wallet) ; two spare "AA" packs of rechargeable batteries, two spare BP-511 batteries; Canon ETTL Cord; Ilford Anti-Stat cloth

(In The Pocket Intended For A Laptop & Magazines): two button down folded shirts (folded and inside the laptop sleeve), 2 pairs of a socks, 2 pairs of boxers, belt.

(In The Inside Flap Clear Pockets) Hefty 1-quart (TSA Approved) bag with toiletries, stick of deodorant , two Canon battery chargers for the BP-511 batteries.

(In The Main Compartment): one pair of folded pants (placed above 'The Cube' behind The Tour)

With all of my gear with me, set up in easy to access and configured in a way that is easy to both unpack and repack, I am able to get to work easily. Once I am ready to get to work I remove the gear I'll be shooting with and set up my Mountainsmith Tour pack. Generally I'll head out with a 16-35f2.8 attached to my 5D and a 50f1.4 on my 20D, leaving the 24f1.4 & 70-200f2.8 in The Tour, along with a Canon 580ex, spare batteries, a Think Tank PeeWee Pocket Rocket and an ETTL cord.

The items that were in The Tour get transferred to 'The Cube' and off I go.

I have now traveled with this kit of three transcontinental trips to shoot projects and weddings and the set up has been perfect. The size and weight are easy to handle, the design function of all three items are ideal for traveling fast and light, while allowing me to carry everything I need to make sure I arrive with everything I need to do my job.

Overall, as I have mentioned time-and-time again, I trust my Mountainsmith products (they even make my mobile phone belt holster for my Razr and iPhone, the Mountainsmith Amp). The products Mountainsmith makes are reliable and durable, the space is ample, the bright yellow interior of the waist packs are easy to work out of , the zippers are strong and at the end of the day I know their products will take anything I can throw at them (including being left at the stairs, loaded with my gear, when boarding a regional jet or turbo prop flight).

Next time you're looking for a complete carry-on solution think outside the box and make your own.........maybe also check out the Mountainsmith line of bags for your needs.

Below are two photos of my Mountainsmith kit

Happy Flying!
--Click Images To Enlarge--


23 July 2008

What Mountainsmith bags does Flying With Fish personally travel with? Lets find out!

Web: www.fishfotoworldwide.com -- E-Mail: fish@flyingwithfish.com

22/07/2008 - What Mountainsmith bags does Flying With Fish personally travel with? Lets find out!


With the recent Mountainsmith Bag giveaway contest, during the 'The Great Mountainsmith Bag Give Away From Flying With Fish' I received a few e-mails asking me if I chose to use Mounatainsmith bags because of of the company's giveaway on Flying With Fish.

I dismissed the first email or two, but when the next three rolled in I decided I should probably address this question. In fact I have been using Mountainsmith bags for my camera equipment for many years...........nearly a decade now! Throughout this past year I have detailed my use of Mountainsmith bags in great detail, including a five part series on the Mountainsmith Tour back in January.

As a photographer who travels, I have used Mountainsmith bags around the world and chose to accept Mountainsmith's offer of giving away a few of their bags because I am a huge fan of their products!

How big of a fan am I of the Mountainsmith line of bags? To demonstrate my enjoyment of their bags I loaded up some of my collection into the back of my 1990 Volvo 245 and shot a picture of my collection (missing from the photo is my bright pink Mountainsmith Tour).

The Mountainsmith bags in the photo below from left to right are:

- The Day : The Day is a fantastic 'hit the ground running bag' to carry multiple carry configurations for shooting, lighting, taking your laptop to the library (it's even good for hiking).

- The Parallax : I used The Parallax as the only bag I brought with me while shooting a project where I flew around the world 1.5x in 4 days! Great bag to carry everything, while still being carry-on legal and small enough to wear on my back while shooting!

- The Cube : The Cube is great for not only packing your clothes for travel, like a duffel bag, however I use mine to disguise checked camera equipment. When I am forced to check camera gear in cases such as the Pelican 1514, or long lens shipping trunks, I place these cases inside the The Cube. When The Cube comes around the baggage carousel no one gives it a second glance as it looking nothing like what you'd expect to find camera equipment in. The bright neon green colour is to allow me to quickly and easily spot my bag among the sea of black ballistic-nylon bags in the baggage area

- The Correspondent : The Correspondent is the newest bag in my collection, and after some heavy travel in the past few months it has proved to be fantastic rolling bag! The unique interior configurability, while taking getting used to, has been great, and for many trips this bags design has allowed me to travel with one bag only for gear, clothes, laptop, etc.

-The Tour (in front of The Cube): The Tour has been by far my most used Mountainsmith pack. The Tour is a lumbar pack designed for hiking, but for me it is the do it all bag. I have at least half-a-dozen configurations of this pack. The Tour coupled with a 'Newswear Pouch' can meet nearly any shooting situations needs. The bright yellow interior is also ideal for not loosing little black lens caps, black cords etc etc........I also have a bright pink Tour which my daughter bought me that is not shown in the photo

- The Amp (in front of the Tour) : The Amp is a small mobile phone holster which I use every day to carry my Motorola Razr around on my belt. I wish they made a sleeve large enough for my Blackberry! The Amp's oversized top-flap and excessive use of Velcro ensures my phone is always in its case even when constantly being banged by camera equipment, lens pouches or waist packs. It has been by far the best mobile phone holster I have ever used........and I have used mine for over a year now since I first spotted the Amp at the Kittery Trading Post up in Maine.

Well there you go, my regular line-up of Mountainsmith bags (and yes I have others that are old and worn out elsewhere, but I wasn't emptying my entire closet into the back of my car)..........and why the Volvo again (I used the bumper in this week's post on the Sony PSP), I just felt like photographing my car for no real reason :0)

Happy Flying!

--Click Image To Enlarge It--

16 July 2008

Winners Announced For 'The Great Mountainsmith Bag Give Away From Flying With Fish'

Web: www.fishfoto.com -- E-Mail: fish@flyingwithfish.com

16/07/2008 – Winners Announced For 'The Great Mountainsmith Bag Give Away From Flying With Fish'

Choosing the top three 'worst case scenarios' most deserving of the Mountainsmith Parallax photo backpack for first place; the Mountainsmith Day Pack for second place and the Mountainsmith Cyber II for the third place was difficult.

I have read more than 100 entries (and tossed a few, including a personal favourite that involved being abducted by aliens) before whittling down the entries to make it to the 'next round.' From this 'next round' I sought the insight from a few expert travelers. The decision on the final three entries has taken a few days of deliberations. I hoped to have my winners first thing Tuesday morning, but in reality I kept coming back to five entries, and ultimately had to make my decisions from these final five.

So what were the winning entries in the 'The Great Mountainsmith Bag Give Away From Flying With Fish'? Let's find out!
---
1st Place: David Ringrose takes home a Mountainsmith Parallax!
Have Crowbar, Will Travel
I was traveling by rail in Portugal, watching the countryside go by. Suddenly there was a horrble screeching noise, and I saw that rocks and pieces of metal were flying past the carriage windows at a high rate of speed. My first thought was, "We've been derailed!" So I grabbed the bottom of my bench seat waiting for the carriage to tip one way or the other.

The locals began sticking their heads out the windows, this seemed crazy to me since things were still whizzing past. Luckily nothing was flying up at an angle to hit one of these brave, or stupid, souls. The train slowed and came to a stop, and several of us got off the train to see what had happened. The brakeman was out of the locomotive looking at a small car that was now attached to the front of the locomotive and there was a man running in our direction from the other direction, the driver as I later learned.

Immediately, visions of being stuck here for hours waiting on the Portugese version of the NTSB to show up, while my friend who was being married in two days waited for me to arrive at my destination. I walked forward to see if I could be of any assistance. As I walked past the locomotive the engineer handed me a crowbar, using the international, "take this" sign, since I don't speak Portugese.

Thankfully there was no one in the car, and amazingly the car radio was still playing. Several of the men were trying to push the car off the tracks. When they saw me with the crowbar they waved me up onto the car. So I crawled up there and started prying the car and locomotive apart at a couple of points where they'd become melded together. With a lot of heaving and pidgin and about ten minutes of work we managed to get the two separated and were on our way. Leaving behind one destroyed small car, with a working radio, and an upset, yet relieved driver. We managed to get to my destination only twenty minutes late.

My travel tips from this experience. Follow the wisdom of the Hitchhiker's Guide [to the Galaxy], DON'T PANIC. It also helps to keep your sense of humor, and your worst case
scenario can become an adventure, and a great story.

(Sidenote from Fish: I love the 4th book in the Hitchhikers Guide trilogy "So Long and Thanks For All The Fish")

---
2nd Place: Rikk Flohr (www.fleetingglimpse.com) takes home a Mountainsmith Day!
"My scheduled 20-day shoot began on June 1st of this year. I would shoot a sculpture workshop at Mt. Rushmore, Waterfalls in Spearfish Canyon, Devil's Tower, a family reunion, a family portrait, and a week camping in the Bighorn Mountains.

I arrived at Rushmore on Monday - Day 2 and attended the workshop without my gear to scope the location. Afterwards, I secured a campsite at Grizzly Gulch and decided to hike in to photograph the Grizzly Bear Falls. Forgoing my entire backpack of gear, I slung a 40D with 17-40 and a 5D with a 70-200 zoom over each shoulder and set out.

Recent heavy rains eroded the stream banks rather severely. The boulder at the base of the falls onto which I stepped gave way, tipping me into the stream, depositing me and my gear into a 5-foot deep pool of icy rushing water. The 5D and telephoto zoom went completely under. The 40D and wide angle zoom were doused but I managed to get them out of the water quickly. It took nearly 10 seconds of flailing about to get my feet underneath me and the cameras out of the water.

Sloshing back to my tent, I reflected on my options. I was on Day 2 of a 20 day safari and I was without my main camera and my backup without having fired a shutter. My cell phone was protected in my breast pocket and still worked, as did the key fob for my Prius so I had transportation and phone service. I called my wife and had her ship my backup 5D and my ancient 20D via Fed Ex for a Day 4 arrival. I called my insurance company (I carry a rider for my gear) and reported the accident.

Two trips into Rapid City for desiccant and the ultimate post-mortems at Ritz Camera to satisfy the underwriter and I had assurances a check was on the way. Day 4 came, the backup gear arrived. I was back in business. My wife called on Day 5 and had the check in hand. The order to B&H was placed and on Day 9, the replacement gear was delivered. One shoot was cancelled due to lack of gear and a few shots were salvaged by using the 2.0 MP cell
phone camera to get the shots I needed for my blog.

Days 10-20 were a picnic by comparison."

---
Third Place: Melody Bostad (www.oneeyedesigns.com) takes home a Mountainsmith Cyber II!
Rain.
I should be used to it by now. I live in Seattle! Yet, there I was, in Boston on July 4 all set to photograph fireworks for the first time. My friend and I staked out a great location hours before the start of the show. I didn’t have any problems setting up the tripod, camera
settings and cable release were ready – and then the rain came. It wasn’t just a light drizzle but the kind of rain you can swim in. Put my hat on my Canon 20D to help protect it from the water but I didn’t even have a lens hood on the camera so rain was pelting the lens, ruining any chance of still getting a decent shot of the fireworks. Not wanting to lose my spot in search of protection from the elements, I tore up a walking map of Boston I had in my pocket, wrapped it around the lens, and swiped my friend’s hair tie to secure the paper. Viola! A temporary lens hood. I happened to have a clear plastic shower cap that I took from the hotel a while back (read in a book that they can be useful in such a situation) and placed it around the rest of the camera. I ended up getting some great shots of the fireworks and even better memories.

My next stop on my vacation was New York were I bought a camera rain protector from B & H

---

I want to thank everyone for their entries, and I especially want to thank Mountainsmith for their support of Flying With Fish's reader........and Ingrid at Mountainsmith! Without Ingrid this contest would never have existed. THANK YOU INGRID!

Happy Flying!

10 July 2008

Mountainsmith Bag Giveaway Deadline Is Rapidly Approaching!!!

Web: www.fishfotoworldwide.com -- E-Mail: fish@flyingwithfish.com

10/07/2008 - Mountainsmith Bag Giveaway Deadline Is Rapidly Approaching!!!


Come on, you know you want to win a Mountainsmith bag to load up your gear and go! Many travelers are procrastinators. Many photographers are worse procrastinators than travelers, so here is a friendly reminder that 'The Great Mountainsmith Bag Give Away From Flying With Fish' deadline is just a few days away !!

The deadline is the 14th of July at Midnight New York time.


Why New York time? Because it is the center of the universe! Yep, that's right, it is home to three incredibly important airports. New York is home to some of the most congested airspace on the planet. You can fly nearly anywhere from New York (often non-stop!) . The World tunes in to watch 'the new year' begin in Times Square. New York is was home to the first airline lounge (the American Airlines Admirals Club at Glenn H. Curtiss Airport , now known as LaGuardia Airport). Most importantly, New York is the place of my birth ..................... oh yea, and I happen to live outside New York in the GMT-5 time-zone (but that answer is really boring).


What do you have to do to win one of three great Mountainsmith bags? Well to win a Mountainsmith Parallax, Mountainsmith Day or Mountainsmith Cyber II, you need to tell the 'worst case scenario' you have experienced on the road and how you overcame it!

Your ordeal and triumph must be 400 words or less. I need the details of what and where your worst case scenario happened and I need the details of how you overcame the situation to keep on going (FYI: telling me you ended up in jail is not a solution to overcoming a travel problem).

Any stories that seem a little far-fetched will be verified; also I have read the "worse case scenario" series of books, so no lifting material from there; I also read Flyer Talk and can search the archives so no ripping off material!

Once you have correctly recalled the details of your ordeal and triumph send me an e-mail of 400 words or less! The e-mail address your entry should go to is : traveltips@flyingwithfish.com

Remember, 12:00 midnight, July 14th ....... New York Standard Time (or Eastern Standard Time, or GMT-5, or Zulu-5, etc etc etc). Late entries will end up in the trash.

Happy Flying!

30 June 2008

Mountainsmith Bag Give Away Deadline Extended!

Web: www.fishfotoworldwide.com -- E-Mail: fish@flyingwithfish.com

30/6/2008 - Mountainsmith Bag Give Away Deadline Extended!

Last week I announced "The Great Mountainsmith Bag Give Away From Flying With Fish," with a deadline of the 7th of July.

Well last week got away with me with a few trips to the Emergency Room to deal with my tearing of a large group of lower abdominal muscles. As you can imagine I didn't have much energy to much.....like sit up and use a computer. Thanks to the miracle of medicine (and Doctor #3s ability to do a thorough exam and actual find the cause of my searing pain) I am on the mend and back to work!

...........what does this mean for the readers of Flying With Fish? It means my injury just bought you all an extra week to send me your 'worst case scenario' travel situations!

Rather than the July 7th deadline you now have until you have until July 14th!

For full details on how to win a Mountainsmith Parallax Backpack ; Mountainsmith Day Lumbar Pack; Mountainsmith Cyber II Pouch check out this post:
26/6/2008 - The Great Mountainsmith Bag Give Away From Flying With Fish!


Happy Flying!

23 June 2008

The Mountainsmith Correspondent : A Versatile, Rugged, Do-It-All, General Purpose Rolling Camera Bag

Web: www.fishfotoworldwide.com -- E-Mail: fish@flyingwithfish.com

23/6/2008 - The Mountainsmith Correspondent : A Versatile, Rugged, Do-It-All, General Purpose Rolling Camera Bag

For years I have used and trusted the Mountainsmith Tour pack as my 'do it all' shooting bag. Having used the Mountainsmith Tour waist pack as a versatile multi-purpose platform, as well as the Tour's 'larger brother' the Mountainsmith Day pack and the Mountainsmith Parallax photo backpack, Mountainsmith seemed like the logical option when searching for a new soft-sided rolling camera bag.

When looking for a new soft-sided rolling camera bag I kept in mind that there is no such thing as the 'perfect bag,' however the Mountainsmith Correspondent came across as the most versatile rolling camera bag. When choosing my equipment I generally choose versatility over all other deciding factors. In the business of traveling as a photographer every assignment is different, ever need is different, every packing situation is different, and versatility is key.

Having now used the Mountainsmith Correspondent for approximately two months, I have used this rolling camera bag on a variety shooting and travel situations. From 'valet' checking the Correspondent on small regional jet flights, to rolling it down the aisle of a Boeing 747-400 to right now, as I write this review of the Correspondent while sitting on a Northwest Airlines Airbus A320 with the bag in the overhead above me in Seat 3D, the bag has exceeded my expectations.

What makes the Mountainsmith Correspondent different? For starters the versatile design of the bag has at times let me travel with only this bag. No backpack or secondary camera bag. I can do my job in just this one bag and a waist-pack/belt system (which is what I wear and work out of when shooting). Being able to place everything I need inside a single bag when getting on a place is great.

A unique feature of the Correspondent is it's interior main compartment. The interior main compartment can be configured for all camera equipment by utilizing two independent and padded zippered 'cubes.' These 'cubes are secured by heavy Velcro on three sides. The interiors of the ‘cubes’ come with a variety of semi-rigid dividers that allow you configure each 'cube' individually. The padding around each 'cube' is not space consuming, however it is significant in its protections abilities. Having been forced to 'valet' check my Corresponded loaded with camera equipment on a number of regional jet flights (and a turbo-prop flight) I have had not once single piece of equipment damaged. The Correspondent is now one of only three bags I would trust to 'valet' checking on a regional jet (although I would still never check this bag as baggage with camera equipment in it, that is still reserved for only Pelican cases). If I packed a little tighter could add a third body, and two more 'short' lenses.

In the two fully packed cubes can hold a significant amount of equipment. Generally my wedding photography kit consists of two full-sized bodies, 8 lenses, a flash (sometimes two), an ETTL cord, battery CF card wallet, and 3 spare sets of "AA" batteries

The Correspondent's design of two individual cubes makes configuring the bag for multi-purpose use very easy. For short overnight-trips where my camera equipment needs are not extensive, or when traveling to meetings, I can remove the top 'cube' leaving only the bottom 'cube' in place. With this set up I generally place two full-size camera bodies and two lenses (16-35f2.8 & 70-200f2.8) in the lower 'cube' while packing my clothing in the upper open interior compartment. Being able have one bag do double duty is fantastic. This set up for minimal camera equipment and space for clothes is also nice for a weekend getaway where you want to pack some gear, but don't need all the usual trappings of traveling as photographer.

The front pocket of the Mountainsmith has a full-size laptop slot that can accommodate a laptop up to 17". While many rolling camera bags are missing a laptop slot, or only have a smaller laptop slot, this is a nice feature. Along the front flap of the exterior of the front pocket are slots for your pens, as well as a small mesh pocket which I tend to use for loose change and my keys. Having this mesh pocket at the top of the flap makes accessing my keys easy when the bag is loaded and I'm wandering through the parking lot looking for my car.

When traveling with a full camera kit with me to shoot a job, I often use the large front pocket to pack my clothes. In this front pocket I place my folded shirt inside the laptop slot to keep them neat and unwrinkled. The main compartment holds two t-shirts, two pairs of underwear, two pairs of socks, the laptop slot holds two dry-cleaned (folded) shirts, and a space pair of pants can be folded and placed in the main compartment over the 'cubes.' This is actually how I am packed at the moment for my travel over the next two days.

The exterior wall of both the 'cubes' and the main pocket are lines with see-thru plastic pockets. I tend to use these pockets for space camera batteries, flashlight, at times travel documents and other random items. With the Canon 5D/20d series bodies (with extended battery grips, roughly the same size as a Canon 1D or Nikon D3 body) I use the lower pocket on the wall of the main pocket to hold four compact battery chargers and a Manfrotto 3007 mini-tripod, while the pockets on the flaps of the 'cubes' can be a bit tight, they are a good place to store lens caps, body caps and a CF card wallet.

When the front pocket is packed with clothing I obviously travel with a backpack or other shoulder bag to accommodate items such as my laptop. Depending on my needs, this bag tends to be either North Face Surge when I need to carry more gear or a Mountainsmith Day when I need less gear. Despite the Mountainsmith Day's compact side it easily holds both a 13" MacBook or a 15" MacBook Pro.

On the top of the bag, under the business card slot, you'll find a small zippered pocket. This pocket is an idea place to store your spare lock and zip-cable. I like keeping my lock-and-cable combo in a location that requires no digging around so I can quickly get it out and lock up my bag when I sit down.

From a security point of view, the design of the zippers make locking the bag very easy. I prefer zippers that are durable rather than 'tied rope' as quite a few camera bags have, as this zipper style appears to be much harder to breach.

The exterior front of the bag is an 'open slot' to carry a tripod, along with a lashing strap to secure the tripod. Since I don't travel with full-size tripods, and rarely if ever secure a tripod to the exterior this feature is lost on me, but I know quite a few photogs who do, so I thought it was worth mentioning

Just above the tripod slot are three lash tabs, this is a feature I have used a few times. I have at various times, for a variety of reasons use a carabineer to secure a Newswear pouch to the outside while in transit. I have also use a Velcro securing strap to lash a fleece vest or water proof shell to the outside of the bag when walking through an airport.

I'll end this review of the Mountainsmith Correspondent with its ability to withstand Mother Nature. At the base of the Correspondent, on the front main flap, is a raincoat tucked away in it's own pocket. Affixing the raincoat is ease and can come in very hands when weather turns on you in a hurry!

If I could change two minor features in the bag they would be this
1) Make the retractable handle I use when rolling the bag 2" (5cm) longer, but that is a common request I have for nearly every rolling bag I have used.
2) Have the front entry flap open to the side instead of out to the front. This is a personal preference as I know many people prefer the 'lay-flat' front entry.

For my purposes the Mountainsmith Correspondent has an excellent bag. I look forward to continuing to schlep this bag through airports with me when my travels require me to use a rolling bag.

Below are a few detail photos of my Mountainsmith Correspondent. These photos show certain details of the bag, as well as different ways I sent my bag up for different shooting/travel needs.

Happy Flying!

--Click Images To Enlarge Them--